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 My work addresses the prospect of residual but forgotten unclaimed frontiers on the edge and inside overdeveloped urban areas, and their unsuspected autonomy. I am interested in the struggle of marginal peoples to sustain independent spaces with all-encompassing societies, the tension between individual and collective behavior, the conflict with institutional power. I pursue an alternative view of hidden borderlands and their inhabitants through drawing, printmaking, mosaic, sculpture, performative interventions, and video structured as complex multi-media installations.
I work in the tradition of field naturalists, seeking and gathering data, artifacts, and specimens outdoors, transporting them inside for close observation and study, displaying them in museum-like diorama settings. I combine populist myths and reinvented historical obscurities with contemporary social dilemmas. Throughout my projects I profile the space where water meets the land, traditionally marking the periphery of urban society, what lies beyond rigid moral constructs, a sense of danger and possibility. 
 Duke Riley, The Acorn Submarine, 2007, Wood, steel, metal, glass, lead, fiberglass, poly-urethane, Approx. 8 x 6 feet
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